Sunday, June 11, 2017

A Series So Good It Both Defines and Breaks Free from Genre

I should start out this review by saying that I am not normally a fan of the "magical girl" genre.  As a thirty-something father of two, I also certainly don't typically fall into the target demographic for this sort of show.

In spite of that, I decided to give the show a try since it had been talked about on so many Youtube videos as an excellent show.  While the series sort of gets off to a slow start, there are events that unfold within the first four episodes that make it very clear that this is not a typical "moe" show. 

The characters have depth and with perhaps one exception, none of them falls into an easy to define stereotype.  Every time you think you know where it is going, in terms of story, it throws you for another loop.  If there is any complaint about the story, it is that part of me wishes it were more than 12 episodes, if just to get a little more development of the side characters besides Madoka, Sayaka and Homura.  But that's nitpicking.

The art style is also fabulous.  Particularly when the girls enter into a witch's labyrinth, when the background is anything but typical anime.  The merging of the two art styles is done very well and if your enjoyment from anime comes from the visual aesthetics, you won't be disappointed.

Interestingly, I was vaguely aware of the big twist that occurs at the mid-point of the series.  I can say this took nothing away from the experience and if anything kept me anticipating when the reveal would occur.  When it did, the specifics of it were still surprises and I was definitely impressed with the creativity of the writing.

Puella Magi Madoka Magica really is one of those timeless classics (albeit not that old) that really does cross genres and can appeal to everyone.

Very weighty and impactful things happen to the cast of characters.  It became very apparent that this show is not for small children children.  Years ago, a friend in college recommended Revolutionary Girl Utena because it was the first "dark shojo" and that it had a universal appeal.  I ended up watching the show and it arguably gave rise to countless shows in the 2000s onward.  This show can be viewed similarly for its impact on the magical girl genre...

Overlord - The Bad Teenage Eric Cartman Fanfiction

I should start out by saying I don't think Overlord is horrible.  There have been many series I have given up either because I found them to be utter garbage or boring and going nowhere.  The fact that I watched this show through to its conclusion means it was at least watchable.

With that said, the entire time I watched this show, I could not help but get the idea out of my head that was I reading a fan fiction that some guy wrote about how awesome everything would be if his fantasy MMO character was stuck in a real world based on those same rules.


At this point I could post spoilers ahead but to be honest, if you've watched only the first episode of the series, by the time you get through the opening theme in Episode 2 it has basically told you the plot and any twists of the entire show.  There is nothing overall deep or thought provoking done by the show that you can't surmise from watching the OP a few times, including guessing all the plot twists.

The show is about a Japanese store clerk who played an MMO (with deep dive virtual reality technology very similar to SAO) that his guild has largely abandoned. The server is going down in a few hours and he decides to see it off to the very end before heading to work the next day.  A countdown clock ticks down to midnight and instead of being logged off, he finds himself trapped in his avatar's body, to a land similar to the online game, tended to by an army of NPC's come-to-life, most of whom were programmed by former guild members.

All of the NPC's in his care revere him and praise him.  We establish the idea very early that he is extremely powerful and rich with in-game currency.  And that's where the first problem with Overlord becomes exposed  Other than Ains (as he has his minions call him), none of the other primary/secondary characters have any development at all.  They are all overpowered and absurdly devoted to him.  Most of their conversations consist of either praising Ains or talking amongst each other about who is the most obsequiously devoted to him.

Beyond this, there is no real drama. We find out very quickly that Ains and his followers are light years beyond the power of anyone else in this universe and so a fair bit of his caution, while understandable, also leads to both ridiculous round about plans and no tension.  This latter point is because at no point in this entire show is there any question about whether any of the main cast will be hurt or die. In the second third, he confronts two villains from a neighboring country who are well established to be stronger than most but they are still ants to our hero.  At no point do we ever think the old man necromancer (whose name escapes me) or Clementine or a legitimate threat despite all being much stronger than any regular human in this series's universe. 

As stated earlier, not much really happens in Overlord.  Our protagonist's grand plan is this convoluted strategy of posing as a dark knight (because he feels the overwhelming need to understand the melee mechanics of this world) and get his name under this pseudonym spread across the land so that somehow then his actual real persona as the overlord lich king can be known across the land.  If none of that makes sense that's the point.

Ains slaughters an entire mercenary army and briefly touches upon how taking the lives of others doesn't seem to bother him, as his personality is being taken over by his character.  That would have been a fascinating issue to grapple with, similar to Grimgar of Fantasy & Ash.  Perhaps the character could have afterwards great misgivings about what he did or a true moral crisis about weather the morality of our own society can or should be applicable in this fantasy world.  In the beginning, he asks one of his buxom female servants if he can grope her chest, ostensibly to test the mechanics of the world and while this servers as little more than fan service, this might have also been an interesting an refreshing route to go in exploring the ideas of if a relationship could exist in such conditions, especially considering her devotion was a result of a last minute programming change made before the MMO was supposed to shut down.  Or heck, they could have gone a more hentai route and even that would have been more interesting than where this show went.

I confess I enjoy the "trapped in another MMO" trope.  I was a fan of the first season of Sword Art Online - albeit the first half more than the second that featured a damsel in distress Asuna as well as Log Horizon.  If we're willing to extend that genre to being in a fantasy world, Re: Zero and Konosuba were two of my favorite shows of last year. I had heard decent things about Overlord so I thought I should give it a try.

And that's where I get to the title of my post. Throughout it, I kept thinking, as someone who played an MMO at one time (RIP City of Heroes) that I could have written something on par with this when I was in high school.  The thought of Eric Cartman, from South Park, being just a little older and in the same circumstance kept coming to me.  Realistically an animated version of Clyde Frog or Polly Prissypants would have just been as believable in this show and would have fit in telling the character how awesome he was.

I'd have to call this series a skip, at least for now.  A second season somehow got green lit, which shows what I know about anime, and so I may check it out to see if perhaps the snails pace of a story changes or if anything interesting happens (perhaps anything that is a legitimate threat to Ains), but for now this thirteen episodes if a solid "meh" for me.

Friday, March 24, 2017

Farewell Old Friend


I watched the final episode of Naruto yesterday.  After re-watching it with my wife this evening, with some regret I clicked the "Remove from queue" button.  The show has been running for nearly fifteen years and it strangely been a large of my life.


When I was a college senior, two of my roommates were into it.  At the time I think there were only two seasons and so it was not anywhere near the anime behemoth it would become later on.  It was actually not for a few more years that I even started watching the series.  I moved back to Indiana, PA to be with my eventually-wife and we lived in a rundown basement apartment in the outskirts of Homer City.  I had no job that winter so I ended up marathon watching the Japanese subtitled version on YouTube.  And just as I finished the final episode, I discovered a new series had started called Shippuuden.

My wife knew I was into anime.  I think she thought it was just these weird, nerdy Japanese cartoons I liked.  One weekend, Cartoon Network decided to have marathon of Naruto. By that time, we'd moved to Monroeville.  Amanda started watching an episode.  We ended up, I think, wasting nearly the entire weekend watching the Invasion of Konoha arc.  She quickly caught up to me and on a weekly basis if it was Thursday I was downloading the latest fansub.  We even took the series with us to Europe on our honeymoon.  It was the gateway into sharing one of my passions with my wife and I think I turned her into a mini-otaku (even if that meant she watched shows involving vampires). Midway through we stopped watching for a good year, as the spoilers got more and more absurd, but when the canon started back up, we ended up rewatching the whole series (even some filler) up to where they were.  The fillers, near the end, soured Amanda and even me on watching, but I still watched a number of the shinden side stories.  And with this final arc, surrounding the wedding, we both watch together.

Our sons are still too small to watch the show.  We went to see both Naruto: The Last and Boruto, they just knew it was mommy and daddy's cartoon.

The final episode, while not the most amazing of stories, had many poignant moments and nearly had Amanda in tears.  Naruto's request to Iruka, to serve as his father at the wedding, was pretty touching.   There were also some hilarious moment both with the best of the Orochimaru gags and Killer Bee's yes/no pillows.  And I think what I liked best is that it had Hinata...

I don't know why but I've been a sucker for her for years.  I remember freaking out like a little girl when she finally admitted her feelings for Naruto when trying to protect him from Pain in the manga.  When I thought she died a chapter later, I was a wreck until they revealed she was still alive a few weeks later.  When the first teaser for The Last came out, I was thrilled that they had teased a relationship.  A few weeks later, the series ended and I got the reward I was hoping for, when chapter 700 showed Himawari with those familiar "whiskers."  I've seen some other anime (most notably re:Zero) where we see the protagonist loves who they love, but in this case I think Kishimoto got it 100% right.  Before anyone else supported him, she did even from the sidelines.

I'll probably watch Boruto in a few weeks but I know it won't be the same.  Naruto was both one of my favorite shows (I know it is far from the "best" anime) and is so connected to my life for over a decade.

Thanks for the memories Kishimoto, dattebayo.